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To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...
Epitrrepontes, or 'The Arbitration', which Menander produced around 300 BC, tackles the modern-sounding subject of a broken marriage. Charisios has left his young wife Pamphile over a suspected infidelity and moved in with his neighbour to drown his sorrows in wine and women, specifically, a spirited harp-girl called Habrotonon. The irate father-in-law will not tolerate this waste of a good dowry and demands of his daughter that she divorce. Bravely she holds out against her father's tirades and remains loyal to her husband.
A complex and masterly dramatic sequence ensures that by the end 'all's well that ends well' - and Menander has struck a blow for equality of the sexes, for understanding over arrogance and pride.
A...
The name of Pheidias and the renown of his sculptural masterpieces have resonated through the centuries. Pheidias’s works were endlessly copied by the Romans and his name was used to denote excellence well beyond Antiquity. His statue of Zeus at Olympia was regarded as one of the seven wonders of the ancient world, and the Athena Parthenos has linked his name forever with the Parthenon and its sculptures. And yet there is no firm proof that any surviving original is by his hand.
What can we know about Pheidias and his work? This book attempts to answer this question by presenting both the archaeological and the written evidence for the output of this remarkable artist. It assembles and assesses all the available material in order...
To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...
To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...
To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Römisch-Germanisches Zentralmuseum.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological...
Names on Terra Sigillata is the product of 40 years of study, and records over 5,000 names and some 300,000 stamps and signatures on Terra Sigillata (samian ware) manufactured in the first to the third centuries AD in Gaul, the German provinces, and Britain.
With volume 9 the series is now complete: the last volume has a comprehensive index to the whole set of 9 volumes.
This is the first catalogue of its type to appear since Felix Oswald’s Index of Potters’ Stamps on Terra Sigillata (‘Samian Ware’), published in 1931. The importance of samian as a tool for dating archaeological contexts and the vast increase in samian finds since then has prompted the authors to record the work of the potters in...
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